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| 1929 | Charles Spencer [Charlie] Chaplin (1889–1977) ; statuette, for The Circus (1928) |
| 1930 | George Arliss (1868–1946); best actor, for Disraeli (1929) |
| 1931 | Lionel Barrymore (1878–1954); best actor, for A Free Soul (1930) |
| 1934 | Charles Laughton (1899–1962); best actor, for The Private Life of Henry VIII (1933) |
| 1936 | Victor Andrew de Bier McLaglen (1886–1959); best actor, for The Informer (1935) |
| 1936 | Ivor Goldsmid Samuel Montagu (1904–1984); best short (novelty) film, for Wings over Everest (1935) |
| 1939 | Ian Murray Dalrymple (1903–1989); best adapted screenplay (with Cecil Lewis, W. P. Lipscomb, and George Bernard Shaw), for Pygmalion (1938) |
| 1939 | George Bernard Shaw (1856–1950); best adapted screenplay (with Ian Murray Dalrymple, Cecil Lewis, and W. P. Lipscomb), for Pygmalion (1938) |
| 1940 | (Frederick) Robert Donat (1905–1958); best actor, for Goodbye Mr Chips (1939) |
| 1940 | Vivien Leigh (1913–1967); best actress, for Gone with the Wind (1939) |
| 1942 | Donald Crisp (1880–1974); best supporting actor, for How Green was my Valley (1941) |
| 1943 | Emeric Pressburger (1902–1988); best original story, for Forty Ninth Parallel (1941) |
| 1943 | (Eileen Evelyn) Greer Garson (1904–1996); best actress, for Mrs Miniver (1942) |
| 1943 | James Hilton (1900–1954); best adapted screenplay (with George Froeschel, Arthur Harold Wimperis, and Claudine West), for Mrs Miniver (1942) |
| 1943 | Noël Peirce Coward (1899–1973); special award, for In which we Serve (1942) |
| 1946 | Ray Milland (1907–1986); best actor, for The Lost Weekend (1945) |
| 1946 | Carol Reed (1906–1976); best documentary feature (with Garson Kanin), for The True Glory (1945) |
| 1947 | Winifred Ashton [pseud. Clemence Dane] (1888–1965); best original story, for Perfect Strangers (1945; US title, Vacation from Marriage) |
| 1947 | (Frank) Sydney Box (1907–1983); best original screenplay (with Muriel Box), for The Seventh Veil (1945) |
| 1947 | (Violette) Muriel Box (1905–1991); best original screenplay (with Sydney Box), for The Seventh Veil (1945) |
| 1947 | Laurence Kerr Olivier (1907–1989); special award, for Henry V (1946) |
| 1948 | Ronald Charles Colman (1891–1958); best actor, for A Double Life (1947) |
| 1948 | Guy Mervin Charles Green (1913–2005); best cinematography (black and white), for Great Expectations (1946) |
| 1948 | Jack Cardiff (1914–2009); best cinematography (colour), for Black Narcissus (1947) |
| 1948 | Alfred August Junge (1886–1964); best art direction (colour), for Black Narcissus (1947) |
| 1949 | Sir Laurence Kerr Olivier (1907–1989); best actor, for Hamlet (1948) |
| 1951 | Robert Krasker (1913–1981); best cinematography (black and white), for The Third Man (1949) |
| 1951 | George Sanders (1906–1972); best supporting actor, for All about Eve (1950) |
| 1952 | Paul Edward Dehn (1912–1976); best original story (with James Bernard), for Seven Days to Noon (1950) |
| 1952 | Vivien Leigh (1913–1967); best actress, for A Streetcar Named Desire (1951) |
| 1953 | Thomas Ernest Bennett Clarke (1907–1989); best original screenplay, for The Lavender Hill Mob (1951) |
| 1954 | Audrey Hepburn (1929–1993); best actress, for Roman Holiday (1953) |
| 1955 | Lindsay Gordon Anderson (1923–1994); best short documentary (with Guy Brenton), for Thursday's Children (1954) |
| 1957 | Jack Isaac Clayton (1921–1995); best short (two-reel) film, for The Bespoke Overcoat (1956) |
| 1958 | Alec Guinness (1914–2000); best actor, for The Bridge on the River Kwai (1957) |
| 1958 | David Lean (1908–1991); best director, for The Bridge on the River Kwai (1957) |
| 1959 | Cecil Walter Hardy Beaton (1904–1980); best costume design, for Gigi (1958) |
| 1959 | (James) David Graham Niven (1910–1983); best actor, for Separate Tables (1958) |
| 1959 | Wendy Margaret Hiller (1912–2003); best supporting actress, for Separate Tables (1958) |
| 1960 | Hugh Emrys Griffith (1912–1980); best supporting actor, for Ben-Hur (1959) |
| 1960 | Elizabeth Haffenden (1906–1976); best costume design (colour), for Ben-Hur (1959) |
| 1961 | Peter Alexander Ustinov (1921–2004); best supporting actor, for Spartacus (1960) |
| 1961 | Frederick William (Freddie) Francis (1917–2007); best cinematography (black and white), for Sons and Lovers (1960) |
| 1963 | David Lean (1908–1991); best director, for Lawrence of Arabia (1962) |
| 1963 | John Allan Hyatt Box (1920–2005); best art direction and set direction, for Lawrence of Arabia (1962) |
| 1964 | John James Osborne (1929–1994); best adapted screenplay, for Tom Jones (1963) |
| 1964 | Cecil Antonio [Tony] Richardson (1928–1991); best director, for Tom Jones (1963) |
| 1964 | Margaret Taylor Rutherford (1892–1972); best supporting actress, for The VIPs (1963) |
| 1965 | Cecil Walter Hardy Beaton (1904–1980); best costume design (colour) and art direction (colour), for My Fair Lady (1964) |
| 1965 | Reginald Carey [Rex] Harrison (1908–1990); best actor, for My Fair Lady (1964) |
| 1965 | Peter Alexander Ustinov (1921–2004); best supporting actor, for Topkapi (1964) |
| 1965 | Peter Ellenshaw (1913–2007); best visual effects, for Mary Poppins (1964) |
| 1966 | Robert Oxton [Bob] Bolt (1924–1995); best adapted screenplay, for Doctor Zhivago (1965) |
| 1966 | John Allan Hyatt Box (1920–2005); best art direction and set direction, for Doctor Zhivago (1965) |
| 1967 | Robert Oxton [Bob] Bolt (1924–1995); best adapted screenplay, for A Man for all Seasons (1966) |
| 1967 | Elizabeth Haffenden (1906–1976); best costume design (colour), for A Man for all Seasons (1966) |
| 1967 | (David) Paul Scofield (1922–2008); best actor, for A Man for all Seasons (1966) |
| 1968 | Alfred Joseph Hitchcock (1899–1980); Irving G. Thalberg memorial award |
| 1969 | Stanley Kubrick (1928–1999); best special effects, for 2001: A Space Odyssey (1968) |
| 1969 | Sir Carol Reed (1906–1976); best director, for Oliver! (1968) |
| 1969 | John Allan Hyatt Box (1920–2005); best art direction and set direction, for Oliver! (1968) |
| 1970 | John Richard Schlesinger (1926–2003); best director, for Midnight Cowboy (1969) |
| 1970 | Cary Grant (1904–1986); honorary award |
| 1971 | John Lewis Ernest Watts Mills (1908–2005); best supporting actor, for Ryan's Daughter (1970) |
| 1972 | John Allan Hyatt Box (1920–2005); best art direction and set direction, for Nicholas and Alexandra (1971) |
| 1972 | Charles Spencer [Charlie] Chaplin (1889–1977); honorary award |
| 1973 | Charles Spencer [Charlie] Chaplin (1889–1977); best music (original score; belated award), for Limelight (1952) |
| 1977 | (Frederick George) Peter Ingle Finch (1916–1977); best actor, for Network (1976) |
| 1979 | Laurence Kerr Olivier, Baron Olivier (1907–1989); honorary award |
| 1980 | Sir Alec Guinness (1914–2000); honorary award |
| 1982 | Sir (Arthur) John Gielgud (1904–2000); best supporting actor, for Arthur (1981) |
| 1985 | Dame Edith Margaret Emily [Peggy] Ashcroft (1907–1991); best supporting actress, for A Passage to India (1984) |
| 1986 | Peter Thomas Handford (1919–2007); best sound, for Out of Africa (1985) |
| 1986 | (Francis) David Watkin (1925–2008); best cinematography, for Out of Africa (1985) |
| 1990 | Jessie Alice [Jessica] Tandy (1909–1994); best actress, for Driving Miss Daisy (1989) |
| 1990 | Frederick William (Freddie) Francis (1917–2007); best cinematography, for Glory (1989) |
| 1994 | Deborah Kerr (1921–2007); honorary award |
| 1997 | Anthony Minghella (1954–2008); best director, for The English Patient (1996) |
| 2001 | Jack Cardiff (1914–2009); honorary award |
Reference list
