(17621836), music composer, the son of a German musician resident in England, was born at Portsmouth in 1762. He was at first intended for the navy, but became apprentice to a jeweller in Edinburgh. Then, adopting music as a profession, he studied the French horn and trumpet with his father, and soon appeared in public as a player of those instruments. Acting on medical advice, he abandoned the wind instruments, and studied the violoncello under Schetky (who married his sister), and the violin under Aragoni and Pinto. He succeeded so well that he was appointed leader of the Edinburgh Theatre band. After appearing as a 'cellist in London, he went in 1784 to Dublin, where he remained for two years. Returning to London, he took a prominent position in the chief orchestras, and was principal 'cello at the Salomon concerts under Haydn, who showed him much kindness. Engaged to play at the Oxford concerts, he was so well received that he settled in the city and died there in 1836. Reinagle was a very able violoncellist, and enjoyed a wide popularity. Nathaniel Gow [q.v.] was one of his Edinburgh pupils. He composed a good deal of music for violin, violoncello, and pianoforte, and wrote a Concise Introduction to the Art of playing the Violoncello, London, 1835, which went through four editions. A younger brother, Hugh, was also a 'cellist of some note.
Alexander Robert Reinagle (17991877), musician, born at Brighton on 21 Aug. 1799, was from 1823 to 1853 organist of St. Peter's-in-the-East, Oxford, and died at Kidlington, where he is buried, on 6 April 1877. He published Psalm Tunes for the Voice and Pianoforte (circa
1830), in which appears the tune St. Peter, now widely used, and included in most church collections (PARR
, Church of Engl. Psalmody
, Scottish Church Music
Biogr. Dict. of Musicians, 1824; Grove's Dict. of Music; Wasielewski's Violoncello and its History (Stigand's edit.), pp. 191, 216.
J. C. H.
Original date of publication: 1896